
Ray Bryant - The Essentiial (Trio & Solo Albums 1956-59)
Born in Philadelphia in 1931, Ray Bryant learnt piano from an early age, playing in church, but soon switched from classical to jazz, and turned professional when he was 14.Â
In the late â40s he toured with Tiny Grimesâ band, and then was a solo pianist in Syracuse, N.Y. before returning to Philadelphia to play  in clubs there, accompanying visiting musicians like Lester Young and Charlie Parker, and for a while was Carmen McRaeâs accompanist until he began recording as soloist and leader. Although he was a fluent player in the bebop idiom, he combined blues, boogie-woogie, gospel, and stride in a distinctive, soulful, and swinging style; as Scott Yanow at Allmusic.com says, âno one played âAfter Hoursâ quite like himâ.Â
This 37-track 2-CD comprises most of the titles from the albums with his trio âRay Bryant Trioâ on Epic, âRay Bryant Trioâ on Prestige, and âRay Bryant Playsâ on Signature, and from the solo album âAlone With The Bluesâ on New Jazz. Â It also includes 1959 No. 12 R&B hit single âLittle Susieâ on Signature. It features recordings with bass players Wyatt Ruther, Ike Isaacs and Tommy Bryant and drummers Kenny Clarke, Jo Jones, Osie Johnson, Specs Wright and Oliver Jackson. His music was always accessible and entertaining, with fluent improvisations, and this collection of recordings from his early years is an enlightening showcase for his particular brand of jazz piano.
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Born in Philadelphia in 1931, Ray Bryant learnt piano from an early age, playing in church, but soon switched from classical to jazz, and turned professional when he was 14.Â
In the late â40s he toured with Tiny Grimesâ band, and then was a solo pianist in Syracuse, N.Y. before returning to Philadelphia to play  in clubs there, accompanying visiting musicians like Lester Young and Charlie Parker, and for a while was Carmen McRaeâs accompanist until he began recording as soloist and leader. Although he was a fluent player in the bebop idiom, he combined blues, boogie-woogie, gospel, and stride in a distinctive, soulful, and swinging style; as Scott Yanow at Allmusic.com says, âno one played âAfter Hoursâ quite like himâ.Â
This 37-track 2-CD comprises most of the titles from the albums with his trio âRay Bryant Trioâ on Epic, âRay Bryant Trioâ on Prestige, and âRay Bryant Playsâ on Signature, and from the solo album âAlone With The Bluesâ on New Jazz. Â It also includes 1959 No. 12 R&B hit single âLittle Susieâ on Signature. It features recordings with bass players Wyatt Ruther, Ike Isaacs and Tommy Bryant and drummers Kenny Clarke, Jo Jones, Osie Johnson, Specs Wright and Oliver Jackson. His music was always accessible and entertaining, with fluent improvisations, and this collection of recordings from his early years is an enlightening showcase for his particular brand of jazz piano.












